Monday, September 23, 2013

BRAHMANANDA CHHATRADANDA - SHREE JAGANNATH







          Brahmanda Chhatradanda - Shree
                               Jagannath

By Somanath Khuntia

When King Indradumna, the king of Avantee, wanted to know where the real Brahma was, he sent his ministers all over India to find out, but they returned without success. So to Orissa, known as Utkal, at that time, another minister Bidyapati was sent. He was told by the tribal people of Puri. "On the beach in the Neelagiri cave, Brahma is to be found." He was being worshipped by their tribal leader Bishwabasu. So Bidyapati came and met the chief. But inspite of all his probings, no information was divulged, no place was even shown, so secret and sacred was this Brahma to Bishwabasu. The minister was feared to stay on for many years. With the hope of discovering this Brahma, Bidyapati married the chief's daughter Lalita.

Afterward, Bidyapati was stunned when Bishwabasu would return from his worship of Brahma. He gave Bidyapati very fine rice prasad and other delicacies, curries and fruits not found in Puri at that time. Biswabasu himself would be smelling of heavenly
camphor from his arati. Bidyapati saw rare flowers that were not in season in Puri at that time. So he asked his father-in-Iaw. "Sir, where did the fine rice and all these rare flowers come from? 

Bishwabasu replied. "The rice you are getting is Prasad' offered to Brahma by Devas
of other planets, and the flowers are also presented by other beings from outer space who come to see this Brahma.

From this record of the origin of Mahaprasad, found in the palm-leaf manuscript Niladri Mahodaya, we can ascertain quite clearly that this present day Jagannath Temple is not only an attraction for people of this world, but for the inhabitants of
other spheres, or Lokas, as well. When king Indradumna heard from Bidyapati that Brahma was at Puri, he immediately went there, and wanted a temple to be built by him. His wish was fulfilled, but then he wondered which deity was to be worshipped there. He dreamt that a log of wood would be floating near the beach. Out of this log, the deities must be made. The dream came true. In procession the wood was taken
to the temple. But again the king wondered. In which shape should the deities be carved ? Nobody could offer the king any suggestions.

At last an old man came and volunteered himself to carve the deities. When asked what his name was, he said emphatically, "My name is Viswakarma, the Divine Architect ! I am from another world." People all around laughed at him thinking him to be a fool. However, King Indradumna assigned the work to him. Viswakarma made three conditions.

1) He must be confined in a room where he would work for 21 days.

2) He would not take any food or drink during this period.

3) He must not be disturbed.

Once this was agreed to, Viswakarma entered the closed chamber. Everybody suspected a trick, as there was no sound of any carving. The queen also became
suspicious, thinking that the old man might even have died. Out of great anxiety the door was opened before 21 days were up. There was no body there. The old man vanished. Only a voice was heard, "Oh king ! worship these unfinished deities I have carved. You have broken your promise. I came from Devaloka only to make the full form of the deities you wanted to have !"

It means the divine craftsman himself came down to earth to help make the TRIO
known today as Lord Jagannath, Lord Balabhadra and Mother Subhadra. They have
been worshipped in Jagannath Temple, Puri for more than three thousand years.

As these stories about the origin of Jagannath Temple reveal, Lord Jagannath is a
mystic deity. There are many phenomena sorrounding him which cannot be explained by modern science. Not only do sages, seers and people from different parts of the world come to see him, but also inhabitants of other spheres as well. As he is considered the master of the universe. He attracts all. There is documented evidence to support many of these occurrences in the form of eyewitness reports
and objects left by divine beings when they came. These events are also documented in ancient epics, palm-leaf scripts, and in texts written by scholars and sages of the past. Some are as follows :

1) Manima Daka Sloka from Niladri Mahodaya

"Rajadhi Rajarajeshwar
                                        Ishwara Thakur, Manima !
Anantakoti Brahmanda
                                        Ishwara Thakur, Manima !
Chaturdasha Bhubana
                                        Ishwara Thakur, Manima !

In the daily rituals of the temple this sloka is recited at the time when Lord Jagannath
retires to bed. The meaning is this :

"Oh Lord Jagannath !
You are king of kings !
You are master of many universes !
You are the controller of all creations !"

The khuntia worshipper who recites this sloka then scatters flower petals up into the air to welcome all the divine beings who have come that evening to observe this ritual.

2) Kadachit Kalindi sloka by Saint Adishankar in his Sanskrit verses "Jagannath
Astaka"

"Rama, Samvu, Brahma, Surapati
Ganesharchhit Padam
Jagannatha Swami, Nayana Pathagami, Bhavatume "

The meaning is :

Even Gods like Rama, Shambhu (Siva), Brahma the creator, Surapati, the king of Gods, Ganesh, the god of wisdom, who all belong to Devaloka, worship Lord Jagannath at Puri.

3) "Jatta Chhaya Lokamatra
Tribhubana Janata Badhate
Na Tritap"
Orissa Review * June - 2006

This means that the inhabitants of all Lokas, or spheres are under the protection of
Lord Jagannath. This sloka is taken from Brahma Geeta (writer not known)

4) From Kapila Samhita

"Sarba Rahasya Purusottamasya
Deva Na Janati Kuta Manusya."

The meaning is that the mystery of Lord Jagannath cannot be known by the Devas, so what to speak of man !

5) From Skanda Purana

"Byomatit Byomarupa Prakasa
Byomakar Byapino Byomarudha."

The glory of Lord Jagannath is described here. He can take on any shape. He is as limitless as the sky itself. He is even beyondthat. The whole cosmos of life is divided into many spheres or Lokas. These are described in the palmleaf scripts LokabimarsaLokatattwa and Lokamimansa. As life evolves from lower to higher forms, consciousness becomes more individualised and expansive. The main Lokas are 21 in number. They are as follows :

The Underworld Lokas :
1) Patala, 2) Talatal, 3) Rasatala, 4) Bitala,5) Mahatala, 6) Atala, 7) Bhutala

The Earth Lokas :
8) Loka, this earth, 9) Pitruloka, 10) Matruloka 11) Pretaloka, 12) Bhutaloka, 13) Jakshaloka, 14) Swargaloka,

The Higher Lokas
15) Divyaloka, 16) Kinnara Loka, 17) Gandharvaloka, 18) Devaloka, 19) Suraloka, 20) Vishwaloka, 21) Goloka

Paranormal events occur on earth when beings from these other regions are present.According to the Loka they come from, they appear in different ways.

1. Patala Loka
This is a sphere of the underworld which supports life on earth. It is said Vasuki, the
snake who holds the world in proper balance, lives in Patala Loka. He comes to Jagannath Temple only during special darshan times. If he is present, there will be a loud rustle in the crowd.

2. Talatala Loka
When inhabitants of this Loka come, there will be rays of light of various colours
which can be seen by the naked eye. These beings come in disguise of blind, lame, oneeyed, or other deformed persons. They carry flowers in their palms to offer to the deities, in the crowd this can be seen easily.

3. Rasatala Loka
If a strong wind passes through the crowd and a hot place becomes cool suddenly,
beings from this Loka have come. They often come also as children and sing loudly during Kirtan, even though they know nothing about all these things. They smile in the crowd after seeing the deities.

4. Bitala Loka
Beings from Bitala Loka come as bird although not as vultures, who signify bad days
ahead when they are seen.

5. Mahatala Loka
Beings from this sphere come as animals such as cats, monkeys and dogs. As dogs can not enter the temple, if one is spotted inside, it is said to have come from this Loka. If this happens, it is felt that the food that day was cooked in an impure way. All offerings must be stopped and the food to be prepared again. This dog is called Kutama Chandi. He always disappears mysteriously.

6. Atala Loka
Sages and saints with long beards who are deep in meditation often come from this
sphere. They even walk into the temple with half-closed eyes. Only when looking at Lord Jagannath Himself do their eyes open fully.

7. Bhutala Loka
Those who sweep the temple floors, make garlands for the deities, prepare the wicks
and lamps, make the earthen pots for the kitchen, and fetch the water are often from this region. Their duties are not hereditary, but are done purely for spiritual pleasure.

8. Loka, this Earth
Ordinary people from all parts of this visible world come to Jagannath Temple with
a vast variety of wishes, both worldly and spiritual. The word Loka means people. Before birth all came from other Lokas, according to previous habits and activities. They wish to go to higher Lokas, by dint of their human birth. Inside the temple they come under the influence of beings from these other spheres, who are also present there, whether they are aware of them or not. Actually, the very purpose of human birth is to pass through all the Lokas by degree. It is also told in ancient scriptures
of India that the gift of human birth is the greatest boon God gives. In no other Loka can a being progress spiritually. That is why devas and demonic spirits both long to return to earth.

9. Pitru Loka
These beings are the ancestors from the father's side of one's family. They come to the temple of Lord Jagannath at dawn when there is less rush. If one finds a man having a similar face to one's father, he is from Pitruloka. If one feels attracted to some unknown person, he is certainly related and has come down from this Loka. Inhabitants of Pitruloka come to the earth as human beings.

10. Matru Loka
These beings give the same signs of their presence here, but they are from the mother's side of one's family.

11. Preta Loka
Those who commit suicide come to this Loka after death. This is the region of bad
spirits and beings of evil demonic nature. They come inside the temple, but only to the outer portions, not into the inner altar of the deities. They criticise, joke, and make noise or other disturbances in spiritual gatherings there. Their coming is signaled by a bad smell, like that of a dead body.

12. Bhuta Loka
This Loka is similar to Pretaloka, only having the confused inhabitants who have taken their lives by consuming poison.

13. Jaksha Loka
People in a crowd wearing gorgeous dresses are often Jakshas in disguise. They
have come to this earth for worldly comforts and bad motives, such as how to collect money from those present in the crowd. They wear gold ornaments and precious gems to impress others.

14. Swarga Loka
Swarga means Heaven. Beings from this sphere have this sign. In darkness suddenly there will be light. Many people present may experience a divine feeling without any visible reason at all. Not flowers but petals only will be found scattered on the floor afterwards.

15. Divya Loka
When divine beings of this Loka come, auras of different colours will fill the atmosphere. Even in darkness, these can be seen slightly. Some of the temple lamps (Dipas) may be mysteriously extinguished at that time. Beings from Divya Loka do not come in form, but only as light and auras. There are other signs, but mortal man can not have concrete experiences of them.

16. Kinnara Loka
When Kinnaras come to the temple, they come as dancing girls. They may be seen
visibly if one's third eye is open. They are eight in number, the Asta Sakhis : Rambha, Urbasi, Menaka, Tilottama, Manjujosi, Rochika, Mochika and Sundaree.
They come as Devadasis also, only to dance before Lord Jagannath before He goes
to bed. They are decorated in flowers only, no ornaments.

17. Gandharva Loka
During devotional singing these beings are always present, both inside and outside the temple. They sing in chorus spiritual songs known as Bhajans, meant only for the deities.

If an ordinary person's singing is especially sweet one night, or soft sweet music is heard in the midst of silence, a Gandharva is present. According to Nada Shastra, there are ten types of divine sounds that may be heard inwardly, the two highest being the sound of the flute and OM.

18. Deva Loka
Many gods come to Jagannath Temple to pray every night, such as Indra, God of Rain, Baruna, God of the Ocean, Vayu, God of Wind, Laxmi, Goddess of Wealth, Saraswati, Goddess of Wisdom.

The sign of their presence is complete tranquility and peace in the midst of a huge
crowd. It would appear as if nobody at all was there. After they go, flowers of different  varieties are usually found scattered on the floor of the temple.

19. Sura Loka
Sura means strength, especially the divine strength of mother. Beings from this
Loka come to the temple during darshan time, known as Sahana Mela. They come in a big rush so that the crowd is forcibly pushed aside for them to precede to the deities without any difficulty.

20. Vishwa Loka
Those who come from Vishwa Loka think that Lord Jagannath is just like a human
being. The worshippers of the temple who are in charge of decorating the deities with flowers, sandal and beautiful dresses and take great pleasure in doing such spiritual things are often from Vishwa Loka. They seem to be worldly, with homes and family life like ordinary people but they are born to serve Brahma, the Supreme.

21. Goloka
From Goloka come Sri Krishna himself and the gopis. Even though there might be a
big rush inside the temple, everybody will love the gathering. All present will feel attracted towards something unseen and smell soothing fragrances all around. In the crowd there will be more ladies than men. Most significant of all, all will hear a mysterious sweet laughter in the air.

There are other spheres of Lokas also,
such as :

1. Shiva Loka - the abode of Shiva

2. Vishnu Loka - the abode of Vishnu

3. Brahma Loka - the abode of Brahma

4. Asura Loka - the abode of demons

5. Yama Loka - the abode of Yama, the king of death

6. Naga Loka - the abode of snakes

7. Graha Loka - the abode of planets

A.From Shiva Loka : Shiva comes on Snana Purnima day to see the Bathing Ceremony of Lord Jagannath. He comes in disguise of a sage with trisula.

B. Lord Vishnu comes to see Dola Festival, or Colour Day held in the temple during
Holi celebrations in the beginning of Spring. He comes as any other devotee but he would have with him big garlands, to be offered to Lord Jagannath.

C. Brahma comes during Chandan Yatra, or Spring Festival. He stays for twentyone
days. He can be identified with one who recites Vedas in front of the deities.

D. From Asura Loka : Asuras, or beings of demonic physical instincts come at the time of rice offering, especially at the time of mid-day Bhoga.

E. Yama; the King of Death: Someone from his Loka comes when a dead body is
found in the premises of the temple. On Rath Yatra day every year, not only do people come from all over the world, but also beings from all Lokas and planets.

Lord Jagannath's chariot, known as Nandighosha, is guarded by the following devas :
1. the Flag by Hanuman from Mahatala Loka.

2. the Chariot itself by a being from Bitala Loka.

3. the Rope by Vasuki from Patala Loka.

4. the Wheels by Mother Vimala from Sakti Loka.

5. the Entrance by Gatekeepers Jaya and Vijaya from Divya Loka.

6. the devas sorrounding the Chariot being.

Ram, Laxman, Krishna, Nrusingha, Narayan, Chintamani, Yoga Maya and Kubera, all from Devaloka.

7. The sages all around the chariot being. Narada, Vyasa, Suka, Parasar, Rudra,
Vashista and Viswamitra, all from Pitruloka.

The chariots of Balabhadra and Subhadra are guarded by many divine beings also.

Aesthetic Experiences

Some of the most mysterious phenomena reported from time to time by the people of Puri, especially the worshippers (Sevakas) of Jagannath Temple, are as follows :

 Not only do people from all over the world come to see Lord Jagannath, but so do
gods and goddesses. It is believed that these devas are most fond of seeing the last ceremony of the day known as Pahuda, in which Jagannath retires to bed. This occurs some time after midnight. Three beautiful beds made of ivory and decorated with the sweetest-smelling flowers, especially white jasmine, are brought before the deities. Flowers are scattered all over the beds to the sound of devotional music, and three miniature golden forms representing Jagannath, Subhadra and Balabhadra are laid down on the beds to sleep. Then arati-the offering of a lamp is done, the flowers are scattered all around overhead to be collected by the gods and goddesses as a token of Lord Jagannath's blessing. So it is also the duty of all the gods and goddesses to be present at the time of this ceremony every night.

One day goddess Charchika of the distant village of Banki arrived late to the function. She was excused by Jagannath, who excuses all mistakes, but Balabhadra did not excuse her. "Mother, do you think that the rituals of this temple should take place according to your convenience ? You have become too proud these last few days. Get out! You cannot come to see the Pahuda Ceremony any more."

Charchika was not prepared to take this insult from Balabhadra and in anger she replied. "I am not the proud one. You are the one who is ostentacious, being gorgeously dressed, bedecked with royal robes, golden ornaments, and sweet-smelling flowers. I have eight hands, but you with no hands think you are doing everything. Who is the proud one ? You please let me enter so that I may meet my Lord. Why are you ostracizing me for such a little offence ?

After that Balabhadra became even angrier and lost his temper. "Your misbehaviour
to Bitarachha Mohapatra, the chief priest is of grave concern. I am ordered by him to prevent you from entering the temple any more. How can you do and protect your area Banki, even with your eight hands with weapons, if you have no discipline ?" Charchika replied, "Oh, then please go and ask him to forgive me ! I will not have nay peace if I am deprived of the Lord's vision. I will be happy again only when I am redeemed. " Charchika was left standing there at the bottom of Baishipabachha, the twenty-two steps leading to the temple. The whole night was passing and her heart becomes very agitated. It was almost morning. The sevakas were coming out from the temple. Devas from all corners of the world had come that night, as was the custom every night to consult with Jagannath, the Lord of the Universe. Now they were going out to execute his will. Only Charchika was left standing at the gate. If a deva neglects his duty, he may cause harm to others and must be replaced. The sin of too much pride is almost irremediable. Just as Charchika was remembering this, Balabhadra came back with the sad news not to allow her inside. Balabhadra delivered the message of Lord Jagannath. "A proud deva should not be admitted. If you wish to redeem yourself, render service in the home of Bitarachha Mahapatra, the head priest to whose function you came late, and not to me. Bitarachha Mahapatra alone can exonerate you, if he so desires and is pleased with your service."

Balabhadra explained, "By the practice of virtuous deeds an ordinary man ascends
upwards and may eventually attain the status of a demigod. Such a good soul may be regarded as equal to god himself, but only because of his goodness, not his high position.

Do you know this, Mother ?" Charchika replied, "Yes, I have done wrong. I myself will take on the task of serving this man Bitarachha Mahapatra, even though I am a goddess of the highest order. It is the right punishment for a degraded goddess. I will be serving a man who is himself a servant of Lord Jagannath. Let me leave this place before others come out." Disguising herself as a young widow in a white saree, Charchika left the temple for the house of Bitarachha Mahapatra. As she approached, she saw the old man sitting on the front steps. So she quickly covered her face with a sari piece and respectfully stood at some distance. The old man looked up and thought, "who is this lady ? I can see only half of her face, but she looks so young and radiant! I have never seen her in this area before. "Thinking like this, he called to her. "Mother, have you come to our house or are you looking for someone in this neighbourhood." The soft motherly appearance of Charchika made Bitarachha Mohapatra regard her as a mother. Charchika pleaded, "I pray that you accept me in your house as a servant, as I have no other means of survival, father. As I lay flat on the ground before Lord Jagannath, he himself ordered me to serve here in your house."

The old man was astonished and with tears in his eyes, he answered." This is your
own home, you are so like my own mother. A son can never be reluctant to provide shelter to his mother." Thus Charchika become the maidservant of the head priest BitarachhaMahapatra. Gradually she became accustomed to the household affairs of the family and took full charge of the puja room herself, cleaning the brass puja articles, changing the dress of the deities daily and lighting the lamps. So perfectly did she act out the role of mother that Bitarachha Mohapatra hardly thought of his own mother, who had just recently died.

Time passed. Bitarachha's wife was old and ailing and so she was very pleased with
Charchika's help and good manners. Sometimes people wondered about Charchika, "who is she ? Where did she come from ?" Sometimes Charchika would be overcome with feeling when there was talk of Lord Jagannath, what was the reason for this ? They would ask her, "Why did not you go to the temple and have darshan of Lord Jagannath ?" When so many people come from distant places to see Him, you are living nearby and do not go ? "Charchika said sadly," It is a matter of luck, sometimes one is not destined to meet him. I will visit the Lord whenever he showers his mercy on me."

One day a huge storm hit Puri with heavy rain. The whole town was enveloped in darkness. Bitarachha Mahapatra struggled to find his way home and finally reached the door, knocking loudly. Charchika responded anxiously. "Oh, what a treacherous night to be out! When it fell dark I lit a candle and sat waiting, expecting you at any moment. That candle has just now gone out." The head priest had come from the temple and was completely rain drenched. He handed over the Mahaprasad to Charchika and went to change his dress. But there were no matches to light the candle in his room. Neither did he bring a candle from the temple, as it was raining too heavily.

With surprise he asked "How did you light that candle, when there were no matches
and all the neighbours had already gone to bed ? Can you light another one ?" Charchika replied, "Yes there is a way. Allow me to light the room." She immediately assumed her original form. She stretched one of her hands to the top of the temple where a lamp was burning and with it she lit the priest's candle.

On seeing this divine vision, Mahapatra almost felt senseless. He could not believe his eyes. How could this maid servant assume such a divine miraculous form ? And so vast and glorious it was. The whole town of Puri could be accommodated within the space between her feet. A deep sense of awe and wonder overcame him. Charchika came back to her normal form in a moment's time, and the room was lighted. Mahapatra felt as if his eyes had betrayed him and he was going mad.

"Do not worry, father," Charchika said. Bitarachha Mahapatra told her, pleading, "Oh
Mother! Please reveal your real identity. I will not leave your feet until you do so." Such rare display of God's divine grace thrilled the priest through and through. His body became numb. So Charchika disclosed everything to him, especially the reasons why she was cast out of the temple.

Mahapatra exclaimed, "Oh Mother, please go back to your original abode. I will obtain due permission from the Lord for your reinstatement." With such assurance of Mahapatra, Charchika disappeared from Bitarachha's house. It was after midnight and the rain had stopped. It was as if everything had occurred in accordance with God's plan. Charchika once again approached the main gate of the temple and Balabhadra offered her a welcome smile. Because of this, Charchika realised that one can not retain even his position as a demigod if he does not fulfill his assigned duties and commitments for the upliftment of the world, for these are the duties of the demigods. Lord Jagannath ordered, "I am now very happy with you. I will assign you an additional responsibility, that of caring for my own car during Ratha Yatra, the great Festival of Chariots. Even though the regular Sevakas are there to look after Nandighosa, you will be its deva." Charchika was silent and only nodded her head affectionately, then left. It was already morning and Bitarachha Mahapatra appeared before the deities to offer his regular service.

This event occurred in the year 1368. Before Goddess Charchika left the house of the head priest, Bitarachha Mahapatra, she asked him what he wanted. He answered that he had no demand for any worldly things, but only wanted to see her again. She said, "Go to your puja room," and then vanished. He went there and saw emerging from the floor a framed stone image of the devi herself .

Even today, some six centuries later, this holy image is there and puja is still being done to it daily by the descendants of Bitarachha Mohapatra, the head priest of Jagannath Temple.




Source : source : E- magazine-Oissa Review * June - 2006

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Thursday, September 12, 2013

STORY ON BIRTH OF RADHA

           STORY ON BIRTH OF RADHA














Radha was the daughter of Vrishbhanu Gurjar who was king Suchandra in his previous life. Suchandra and his wife had acquired a boon from Brahmaji that in the Dwapar age Shri Laxmi will be born as a daughter to them in the form of Radha. King Suchendra and Queen Kalavati only were reborn as Vrishbhanu and Kirtikumari and Laxmiji was incarnated as Radha.
It is said that at Radha’s birth, Devarshi Narad himself went and met Vrishbhanu and informed him, “This girl’s beauty and nature is divine. All the houses, wherever her footprints are, Lord Narayan with all other deities will reside. Nurture this girl thinking her to be a Goddess.” According to Naradji’s advice, Vrishbhanu nurtured Radha with great love and care. Nandbaba who lived in the nearby village was friends with Vrishbanu. Once during the festival of Holi; Vrishbanu went to Gokul to meet Nandrai. At Nandrai and Yashoda’s house Krishna (who was growing up as their son) met Radha. Their union was divine, phenomenal and incessant. This meeting was Radha and Krishna’s first meeting which became eternal.
Radha’s love towards Krishna in the terrestrial or customary meaning is not just the relation between a man and woman. The feeling of this love is divine and phenomenal which gives this love a pious form. The philosophical side of this reduces the distance of the support and supportive, also the difference between the worshipper and worshipful is not there. Krishna is the life of Vraj; Radha is the soul of Krishna. That is why, it is said, “Atma Tu Radhika Tasya” (Radha, you are His soul). One form of Radha is, she is a devotee, worshipper of Krishna and in the second form she is the worshipful, devoted by Krishna. ‘Aradhyate Asau itii Radha.’ Radha – Krishna’s love is the symbol of the feeling of being united. When two souls are united, the difference of the other or the second vanishes.Her father Vrsabhanu was the king of cowherds Gop. Vrsabhanu was a partial incarnation of Lord Narayana while her mother Kalavati was a partial incarnation of Goddess Lakshmi.
Her worship is especially prominent in Vrindavan, the place where Krishna is said to have lived. Wherein Her importance surpasses even the importance of Krishna. Radha's love for Krishna is held within Gaudiya Vaishnavism as the most perfect primarily because of its endless and unconditional nature. Thus she is the most important friend of Krishna, 'His heart and soul', and His 'hladini-shakti' (mental companion potency).
In the Brihad-Gautamiya Tantra, Radharani is described as follows: "The transcendental goddess Srimati Radharani is the direct counterpart of Lord Sri Krishna. She is the central figure for all the goddesses of fortune. She possesses all the attractiveness to attract the all-attractive Personality of Godhead. She is the primeval internal potency of the Lord."
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Wednesday, September 11, 2013

MEETING WITH LORD VITHOBA OF PANDHARPUR

              Meeting with Lord Vithoba of Pandharpur

"Om Shri Sainathaya Namaha.".
Dear Sai devotee readers I request you to please forgive me as I do not have the chronological sequence of events as were experienced by my father. I am narrating to you as they come to my mind. My father used to describe them to us whenever he used to come into that spiritual mood and hence chronological order is not possible for me to state.
As informed earlier, the Tarkhad family started worshiping SaiBaba on daily basis and on Thursday evening they used to perform the Aarati collectively at their residence. My grandmother was completely at peace of mind and she was very happy that her headache had disappeared forever. She was now getting attracted more towards spiritualism. She started reading spiritual books regularly. Once she expressed her desire to my father of going on a pilgrimage to Holy Pandharpur and to take Darshan of Lord Vithoba. She went on to inform him that, the holy books suggest that before one parts with this world, one should visit Pandharpur. My father advised her to check with Baba and seek his clearance.
Accordingly, during their next visit to Shirdi, she asked Baba to permit her to go to Pandharpur. Baba told her" Oh Mother for us Shirdi is our everything and there is no need” She was rather disappointed . She told Baba that Pilgrims visit Pandharpur, as they firmly believe that Lord Vithoba is stationed there and once you have his Darshan then your path to attain Moksha (salvation) is clear. She expressed to him that she has developed very strong urge to visit and perform his pooja at least once in her lifetime. Baba knowing her desire to be genuine then declared "Oh Mother do not worry you will visit Pandharpur and fulfill your desire." On returning home they informed Babasaheb Tarkhad about that and after proper planning my father and my Grandmother proceeded to Pandharpur. Readers will appreciate a point that as Mecca is to Muslims, Bethlehem to Catholics so is Pandharpur to Maharashtrians.top
On reaching there my father made all the necessary arrangements.
After taking bath and breakfast when the morning rush hours were over they walked up to the Vithoba Mandir along with pooja material. On entering the sanctum sanctorum they seeked the permission to perform pooja from the priest of the Mandir. My grandmother proceeded in her own way and almost completed the pooja. Now was the time to adorn the Vithoba Murti with the garland and there was a dilemma. My grandma would want to garland with her own hands but the priest would not allow doing so, as no one is permitted to climb the platform where the Murti is situated. My grandma told my father that her pooja would remain incomplete if she were unable to garland the Murti with her own hands. My father advised her to pray to Baba and seek his help as he had granted her permission to visit Pandharpur. She closed her eyes and raised both the hands holding the garland, and requested Lord Vithoba to accept her pooja. Then came a miracle. Lo and Behold! The Murti of Lord Vithoba slided down the platform. My father instantly shook my grandmother Bodily. He told her to open her eyes and see for herself that the Lord had responded to her prayers and now she can adorn him with her garland. She instantly placed the garland o n Vithoba's neck and the Lord was back to its original place. Both mother and son prostrated in front of Lord Vithoba.
On seeing this, the priest was completely astonished and flabbergasted. He jumped down from the platform and held the feet of my grandmother and father and declared that they are the Vithoba and Rakhumai and he would not allow them to go away. He pleaded pardon for his arrogant behavior. My father consoled him and told him not to have any wrong ideas about their identity. He told him that they are devotees of Shirdi SaiBaba and on getting consent from him they are visiting Pandharpur. He further told him to have strong faith in Lord Vithoba who is Jagrut (wakeful) over there and is no more a stone God. He advised him to perform his pooja from the bottom of his heart and seek his blessings in return. He then requested the priest to give them prasad so that they could leave the Mandir. They purchased Brass Idols of Vithoba -Rakhumai and placed it in their Sandalwood Mandir to offer daily worship.
This experience was like receiving heavenly pleasure for both of them. Though they use to offer prayers to God very sincerely they never ever imagined that Lord Vithoba will greet them in that fashion. After this visit when they visited Shirdi next, Baba asked my Grandmother (mother) could you meet Vithoba?" My grandmother replied "Baba this is all your making. I am now read to part with this world as I consider my life is complete now." She profusely thanked him.
Dear Sai devotee readers my father used to say that God always exists in any stone Murti which you worship. I for one strongly feel that all those divine experience they encountered purely because of their solemn and good deeds of the past and undoubtedly they were under the umbrella of Grace of Sai"s blessings all along which made this possible.


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Tuesday, September 10, 2013

Why is Ganapati with the right Sided trunk not commonly worshipped?

Why is Ganapati with the right Sided trunk not commonly worshipped?




1. Entire idol: Omkar, the unmanifest (nirgun) principle
2. Trunk: It is a popular belief that an idol with the tip of the trunk pointing towards the right and left are called right-sided and left-sided idols respectively; however this is not the case. One should not decide whether the idol is right-sided or left-sided depending upon which side the trunk is directed. It should be decided depending on the direction in which the initial curve of the trunk points. If the initial curve of the trunk in a Ganesh idol points towards the right and the tip of the trunk points towards the left yet the idol should be considered a rightsided idol. The reason for this is that, the initial curve of the trunk pointing towards the right indicates that the right (that is Sun) channel (nadi) of Ganapati is active.
Right Sided Trunk
Right Sided Trunk
Right Sided Trunk Ganapati
Right Sided Trunk Ganapati
2.1 Right-sided trunk: An idol of Ganapati with the trunk curved towards the right is called dakshinmurti or dakshi­nabhimukhi murti (the idol facing the south). Dakshin means the southern direction or the right side. The southern direction leads to the region of Lord Yama (Yamalok), the deity of death while the right side belongs to the Surya nadi (Sun channel). One who is able to face the direction of the region of Yama is powerful. So also, one with an activated Surya nadi is also radiant. Thus in both senses, the Ganapati idol with the trunk curved towards the right is said to be ‘active (jagrut)’.
Left Sided Trunk
Left Sided Trunk
Left Sided Trunk Ganapati
Left Sided Trunk Ganapati
2.2 Left-sided trunk: An idol of Ganapati with the trunk curved towards the left is called Vamamukhi. Vam means the northern direction or the left side. The Chandra nadi (Moon channel) is situated to the left. It is believed that it bestows tranquility. Besides, since as per tradition, the northern direction is considered spiritually favourable and bestowing Bliss (Anand), mostly the Vamamukhi Ganapati is worshipped. It is worshipped ritualistically in the usual manner.
3. Modak (a sweet delicacy)
 
3.1 'Moda' means Bliss (Anand) and 'ka' means a small part. So, modak is a small part of Bliss. A modak is shaped like a coconut, that is it is like the cavity 'kha' in the Brahmarandhra. When the kundalini (spiritual energy) reaches the 'kha' cavity, the spiritual experience of Bliss is obtained. The modak held in the hand signifies Bliss endowing energy.
3.2 'The modak symbolises spiritual knowledge (dnyan): hence it is also called dnyanmodak. Initially it seems that spiritual knowledge is little (the tip of the modak represents this); but as one starts studying Spirituality, one realises its vastness (the base of the modak symbolises this.) A modak is sweet in taste. The Bliss acquired through spiritual knowledge too is like that.'
4. Goad (ankush) : Destroyer of the energies which are harmful to the mission of acquisition of spiritual knowledge and Bliss.
5. Noose (pash): Worldly bondage.
6. Serpent wound around the waist: The universal kundalini (spiritual energy)
7. Hood of the serpent: Activated (jagrut) spiritual energy
8. Rat: The rat which represents the raja component is within the control of Ganapati.


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Thursday, September 5, 2013

GANESHA : JANUS OF INDIA

Ganesha : Janus of India

It so happened that I saw the moon on chavithi, and I thought I could do better than just reading the story and so I am writing this time about Ganesha.

Ganesha known as pillaiyar to tamilians, vinayaka to Andhrites and bhudhists, herambha to jains, maha rakhta to tibetans, phra phikanet to thai, kangiten to japanese or just plainly as Ganesha to cambodians and indonesians is the god of knowledge, an embodiment of wisdom, strength, grace and innocence. Though the cults of Ganesha's called ganapatya gained popularity around the 4th and 5th centuries CE of Guptha dynasty, he inherited precursors of vedic and prevedic traits. The two main literary works done by ganapatya's are mudgala purana and Genasha purana.


Birth

Parvati giving birth ganesha. Kangra miniature
18th century (Allahabad museum)

I am going to save you the routine spiel about his birth and will tell you a beautiful interpretation of it. Parvati represents the celebrative aspect of brahman (consciousness), the name meaning mountain (parvat), the earth it self rising up in celebration. One day when she was feeling dirty, meaning that the celebration has gone out of life giving rise to feeling sadness, so she decides to take a bath. But from the dirt that comes off, she makes an idol to safeguard her ego, so she has her space and no one can get in, the usual thing we do when we are depressed, isolating themselves. This is the significance of Parvati animating her ego and asking it not to let anyone disturb her because she is feeling dirty. Lord Shiva is the protector of Parvati. So when He sees her that way with her ego standing guard, keeping the Bliss of the Self out, He does what any protector would do... Kill it.. signified by chopping the head off!, now, when you have had your ego trampled upon, you are going to feel even more hurt and bewildered, which is where Parvati flares up... to appease her and teach her, Lord Shiva replaces the child's (ego) head with an elephant head. Elephant representing grace, strength and wisdom, it is interpreted that Lord Shiva replaced her ego (ignorance) with knowledge and innocence.. hence the name Ganesha the god of knowledge and wisdom.


Though Ganesha is popularly believed to be a brahmachari, in some cultures he has 2 consorts, budhi(intellect) and sidhi(spirituality) and supposed to have 2 sons laabha(profit) and shubha(auspicious). He is sometimes associated with goddess saravati (sarda) in maharashtra and with goddess lakshmi in bengal. In some santoshi ma cultures, she is assumed to be the daughter of ganesha. While it is very easy to see in to the contextual and symbolic meaning behind these practices, real references to these beliefs are unaccounted.


Vedic and epic literature (source: wiki)

Maha Ganapathi from Sritattvanidhi

The title "Leader of the group" (Sanskrit: gaṇapati) occurs twice in the Rig Veda, but in neither case does it refer to the modern Ganesha. The term appears in RV 2.23.1 as a title for Brahmanaspati, according to commentators. While this verse doubtless refers to Brahmanaspati, it was later adopted for worship of Ganesha and is still used today. In rejecting any claim that this passage is evidence of Ganesha in the Rig Veda, Ludo Rocher says that it "clearly refers to Bṛhaspati—who is the deity of the hymn—and Bṛhaspati only". Equally clearly, the second passage (RV 10.112.9) refers to Indra, who is given the epithet 'gaṇapati', translated "Lord of the companies (of the Maruts)." However, Rocher notes that the more recent Ganapatya literature often quotes the Rigvedic verses to give Vedic respectability to Ganesha . Two verses in texts belonging to Black Yajurveda, Maitrāyaṇīya Saṃhitā (2.9.1) and Taittirīya Āraṇyaka (10.1), appeal to a deity as "the tusked one" (Dantiḥ), "elephant-faced" (Hastimukha), and "with a curved trunk" (Vakratuņḍa). These names are suggestive of Ganesha, and the 14th century commentator Sayana explicitly establishes this identification. The description of Dantin, possessing a twisted trunk (vakratuṇḍa) and holding a corn-sheaf, a sugar cane, and a club, is so characteristic of the Puranic Ganapati that Heras says "we cannot resist to accept his full identification with this Vedic Dantin". However, Krishan considers these hymns to be post-Vedic additions. Thapan reports that these passages are "generally considered to have been interpolated". Dhavalikar says, "the references to the elephant-headed deity in the Maitrāyaṇī Saṃhitā have been proven to be very late interpolations, and thus are not very helpful for determining the early formation of the deity".


Ganesha does not appear in Indian epic literature that is dated to the Vedic period. A late interpolation to the epic poem Mahabharata says that the sage Vyasa (Vyāsa) asked Ganesha to serve as his scribe to transcribe the poem as he dictated it to him. Ganesha agreed but only on condition that Vyasa recite the poem uninterrupted, that is, without pausing. The sage agreed, but found that to get any rest he needed to recite very complex passages so Ganesha would have to ask for clarifications. The story is not accepted as part of the original text by the editors of the critical edition of the Mahabharata, in which the twenty-line story is relegated to a footnote in an appendix. The story of Ganesha acting as the scribe occurs in 37 of the 59 manuscripts consulted during preparation of the critical edition. Ganesha's association with mental agility and learning is one reason he is shown as scribe for Vyāsa's dictation of the Mahabharata in this interpolation. Richard L. Brown dates the story to the 8th century, and Moriz Winternitz concludes that it was known as early as c. 900, but it was not added to the Mahabharata some 150 years later. Winternitz also notes that a distinctive feature in South Indian manuscripts of the Mahabharata is their omission of this Ganesha legend.[173] The term vināyaka is found in some recensions of the Śāntiparva and Anuśāsanaparva that are regarded as interpolations. A reference to Vighnakartṛīṇām ("Creator of Obstacles") in Vanaparva is also believed to be an interpolation and does not appear in the critical edition.

Incarnations of Ganesha

Mudgala purana talks about 8 incarnatinos of ganesha namely vakratunda, ekadanta, mahodara, gajavakra, lambodara, vikata, vighnaraja and dhumravarna. Ganesha purana talks about the following 4.


1) Mahotkata Vinayaka (Mahotkaţa Vināyaka), who has ten arms and a red complexion. Different sources list his mount (vāhana) as either an elephant or lion. He was born to Kashyapa (Kaśyapa) and Aditi in the Krita yuga. The name Kāśyapaḥ (descendant of Kaśyapa) for Ganesha refers to this incarnation.[12] This incarnation killed the demon brothers Narantaka (Narāntaka) and Devantaka (Devāntaka), as well as the demon Dhumraksha (Dhūṃrākşa).

2)Mayuresvara (Mayūreśvara), who has six arms and a white complexion. His mount is a peacock. He was born to Shiva and Parvati in the Treta yuga. He incarnates for the purpose of killing the demon Sindhu. At the end of this incarnation he gives his peacock mount to his younger brother Skanda, with whom the peacock mount is generally associated.
3)Gajanana (Gajānana), who has four arms and was born with a red complexion. He has a mouse as his mount. He is born to Shiva and Parvati in the Dvapara yuga. He incarnates for the purpose of killing the demon Sindura (Sindūra), who was so-named due to his reddish-pink complexion (see: Sindoor). It is during this incarnation that Ganesha gives the discourse known as the Ganesha Gita to King Varenya.

4)Dhumraketu (Dhūmraketu) is grey in colour, like ash or smoke (dhūmra). He has either two or four arms.[13] He has a blue horse as his mount. He will come to end the decline of the Kali yuga. During this incarnation he kills numerous demons. Grimes notes that there is a parallel between this incarnation of Ganesha and the tenth and final incarnation of Vishnu, where he will ride upon the white horse Kalki. The other difference is, lord Gajanana tells Varenya that the whole universe and all the gods are created by Gajanana and ultimately everything will come back to him including the Gods like Bramha, Vishnu and Mahesha.

Ganesha in other world religions

Jaina : Ganesha was referred to as herambha and ganavignesha around 12th centuary jainic works. In swetambhara traditions he was believed to be prayed even by the gods to get desirable things. In jaina tradition he is attributed some of the characteristics of Kubera. You can find the idols of ganesha in udayagiri and khandagiri caves of orissa, believed to be from the digambara jaina tradition. The earliest known Jaina Ganesha statue at Mathura with Jaina Yakshi Ambika(the Jaina name for Gauri) dates to about the 9th Century CE. Images of Ganesha appear in the Jaina temples of Rajasthan and Gujarat. In the tenth century Mahavir at Ghanerav and eleventh century temple in Osian, Rajasthan; Ganesha images are found.

Budhism: In budhism, ganesha is worshipped as an incarnation of budha. It is not very surprising as Gupta period saw a wide spread of budhism in india, and it is also the time when ganesha gathered popularity. Ganapati, Maha Rakta (Tibetan: tsog gi dag po, mar chen. English: The Great Red Lord of Hosts or Ganas) is a Tantric Buddhist form of Ganapati (Ganesha) related to the Chakrasamvara Cycle of Tantras. This form of Ganapati is regarded as an emanation of Avalokiteshvara.


Ganapathi, Maha raktha
"...beside a lapis lazuli rock mountain is a red lotus with eight petals, in the middle a blue rat expelling various jewels, [above] Shri Ganapati with a body red in colour, having an elephant face with sharp white tusks and possessing three eyes, black hair tied in a topknot with a wishing-gem and a red silk ribbon [all] in a bundle on the crown of the head. With twelve hands, the six right hold an axe, arrow, hook, vajra, sword and spear. The six left [hold] a pestle, bow, khatvanga, skullcup filled with blood, skullcup filled with human flesh and a shield together with a spear and banner. The peaceful right and left hands are signified by the vajra and skullcup filled with blood held to the heart. The remaining hands are displayed in a threatening manner. Wearing various silks as a lower garment and adorned with a variety of jewel ornaments, the left foot is extended in a dancing manner, standing in the middle of the bright rays of red flickering light." (Ngorchen Konchog Lhundrup, 1497–1557).



In Japan, Ganesha is considered a minor deity in the Buddhist pantheon, where he is known as Shōten (聖天), Daishokangi-ten (大聖歓喜天), Kangiten (歓喜天), Ganabachi (Ganapati), Binayaka-ten ("Vinayaka") (毘那夜迦天).[19]
Ganesha worship was brought to Japan by early Buddhists through China.[20] In Japan the Ganesha cult was first mentioned in 806 CE.[21] Scholars commonly date the presence of Ganesha in Japan with the age of Kukai (774- 834), the founder of the Shingon sect of Japanese Buddhism. The centrality of the worship of Ganesha or Vinayaka or Kangiten, as he is popularly called in Japan, is a distinguishing feature of this cult. The doctrines, rituals and beliefs of the sect have a number of parallels with the cult of Ganapatya.

Dancing Ganapathi of tibet.
Ganesha can also be seen in Thailand, indonesia and cambodia in the same authority over knowledge and wisdom, though under different names but in the same form.In 1806 Sir William Jones drew a close comparison between a particular form of Ganesha, known as Ganesha-Jayanti, and Janus, the two-headed Roman god. Jones felt the resemblance between Ganesha-Jayanti and Janus was so strong that he referred to Ganesha as the "Janus of India." The Ganesha-Jayanti form is a very unusual depiction in which Ganesha is shown with the head of an elephant looking toward his right and a human head at his left. It was possessed of four arms.





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